Ki Pro Ultra Plus
AJA Video Systems
SpecsVideo Formats
- Single Channel Mode:
- (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97*
- (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*
- (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (HD) 1080i 25, 29.97, 30
- (HD) 1080PsF 23.98, 24, 25**, 29.97**
- (HD) 720p 50, 59.94, 60
- Multi-Channel Mode:
- (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (HD) 1080i 25, 29.97, 30
- (HD) 1080PsF 23.98, 24, 25**, 29.97**
- (HD) 720p 50, 59.94, 60
*Only 4x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division
**25 and 29.97 requires Record Type>PsF selection
Codec Support
- Single Channel Mode:
- Apple ProRes 4444 XQ, up to 2K/60 fps
- Apple ProRes 4444, up to 30 fps
- Apple ProRes 422 (HQ)
- Apple ProRes 422
- Apple ProRes 422 (LT)
- Apple ProRes 422 (Proxy)
- Avid DNxHD HQX (220x)*
- Avid DNxHD SQ (145)*
- Avid DNxHD LB (36)**
- Avid DNxHR HQX up to 4K/30 fps
- Avid DNxHR SQ up to 4K/30 fps
- Avid DNxHR LB up to 4K/30 fps
- Multi-Channel Mode:
- Apple ProRes 4444, up to 30 fps
- Apple ProRes 422 (HQ)
- Apple ProRes 422
- Apple ProRes 422 (LT)
- Apple ProRes 422 (Proxy)
*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p
Codec Container
- Apple ProRes .MOV
- AVID DNX MXF or .MOV
Removable Storage
- 2x slots, AJA SSD media Pak 256, Pak 512, Pak 1000, Pak 2000
- Pak-Adapt-eSATA*, Pak-Adapt-CFast*
*Only with AJA qualified media
Video Input Digital
- 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
- 4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit
- 4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*)
- Dual Link 4:2:2, 4:4:4 (2x BNC or Fiber LC*)
- Single Link 4:2:2, 4:4:4 (1x BNC or Fiber LC*)
- 1x HDMI standard type A connector
- HDMI v2.0
- 4:4:4 RGB 8/10/12-bit (deep color)
- 4:2:2 YCbCr 8/10/12-bit
- 4:2:0 YCbCr 8-bit
*Optional SFP Modules
Video Output Digital
- 4x 3G-SDI, SMPTE-292/296/424, 10-bit
- 4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit
- 4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*)
- Dual Link 4:2:2 or 4:4:4 (2x BNC or Fiber LC*)
- Single Link 4:2:2 or 4:4:4 (1x BNC or Fiber LC*)
- 1x HDMI standard type A connector
- HDMI v2.0
- 4:4:4 RGB 8/10/12-bit (deep color)
- 4:2:2 YCbCr 8/10/12-bit
- 4:2:0 YCbCr 8-bit
- HDR Infoframe generation as defined in CTA-861.3 and HDMI v2.0a
*Optional SFP Modules
Audio Input Digital
- 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, AES/EBU via (1/2x DB-25 TASCAM pinout)
Audio Input Analog
- 8-Channel, mappable, 24-bit A/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout)
- +24 dBu full scale digital
- +/- 0.2 dB 20 Hz to 20 kHz frequency response
Audio Output Digital
- 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, AES/EBU via (1/2x DB-25 TASCAM pinout)
Audio Output Analog
- Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control
- 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout)
- 2-Channel unbalanced 2 x RCA connectors
Recording Mode
- Multi-channel HD Apple ProRes recording (Pak 2000, Pak 1000, Pak 512 (R1), Pak 256 (R1) (R2))
- Single channel 4K/UltraHD/2K/HD recording
Playback Mode
- One channel of 4K/UltraHD/2K/HD at a time
Timecode
- SDI RP188/SMPTE 12M via SDI BNC
- LTC input (1x BNC)
- LTC output (1x BNC)
- Movable TC Super Out
Reference Input
- External, 2x BNC
- Looping, nonterminating
- Blackburst or tri-level sync
Network Interface
- 10/100/1000 Ethernet (RJ-45)
- Embedded web server for remote control via REST
- Video Confidence Monitor via Web Interface
- Clip upload/download via Web Interface in DATA-LAN mode
- Configuration and Transport Control via WEB Interface
Machine Control
- RS-422, 1x DE-9 female connector, Sony 9-pin protocol
- 9-pin D-connector pinout is as follows:
|
1 |
GND |
|
2 |
TX- |
|
3 |
RX+ |
|
4 |
GND |
|
5 |
No Connection |
|
6 |
GND |
|
7 |
TX+ |
|
8 |
RX- |
|
9 |
GND |
|
Shell |
GND |
User Interface
- Rotary selector knob
- Dedicated, backlit transport controls and menu buttons
- Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays
Closed Captioning Support
- CEA-708, CEA-608
File System Support
- HFS+, exFAT
Size (w x d x h)
- 8.64" x 9.34" x 3.31" (219.46 x 237.24 x 84.08 mm)
Weight
- 5.6 lbs (2.6 kg)
Power
- Dual, redundant, 5.4A max, 35W-60W typical-65W Max
- 100-240 VAC 50/60 Hz (adapter)
- 12-18Vdc 4-pin XLR (chassis)
Environment
- Safe Operating Temperature: 0 to 40 C (32 to 104 F)
- Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)
- Operating Relative Humidity: 10-90% noncondensing
- Operating Altitude: <3,000 meters (<10,000 feet)
Share:
Ki Pro Ultra Plus is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes, Avid DNxHR® MXF for 4K/UltraHD or Avid DNxHD® MXF recorder and player. Ki Pro Ultra Plus supports the latest large raster high frame rate workflows, up to 4K 60p with HDR playout and recording.
3G-SDI, fiber and full HDMI 2.0 digital video connectivity plus a wealth of analog and digital audio connectivity answers any project’s demand for efficient, powerful and flexible workflows.
Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, it’s well suited for use in any environment.
Ki Pro Ultra Plus & Multi Channel Recording
Learn how you can record and play back a single channel of 4K, HFR 4K, or record up to four channels of 1080 HD video from one intuitive box using AJA’s portable Ki Pro Ultra Plus.
Explore the device’s broad feature set – from HDMI 2.0 connectivity with HDR playback to a dedicated web UI for remote control, the Ki Protect feature to ensure data integrity, a three-year warranty, dedicated support and so much more.
Multi-Channel HD Recording
Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra Plus.
Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra Plus and save power, space, time and effort on set, in the studio and when setting up OB trucks.
Ki Pro Ultra Plus even allows independent profile support per channel in Multi-Channel mode; select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.
Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA Pak media*. Ki Pro Ultra Plus even allows rollover to a second Pak for hours of uninterrupted multi-channel recording.
*Pak 2000 and Pak 1000 modules with an -R0 module designation and all Pak Media modules with -R1 designations supported for multi-channel recording.
Edit Ready, Independent ProRes Files
Multi-Channel recording with Ki Pro Ultra Plus provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the Pak Media into your edit. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with .1, .2, .3 or .4, making it very easy to track assets in post.
New Multi-Channel independent file naming support with firmware v4.0 also allows an independent additional name to be added to each recorded file for further identifying specific information for the project's needs.
Continuous Record
and Rollover, Even in
Multi-Channel Mode
Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. But Ki Pro Ultra Plus is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. This function works with each input to Ki Pro Ultra Plus and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.
New Forced Rollover support allows users to force a rollover recording to the second Pak port at any point, allowing quick extraction of the first Pak drive for fast transfer to editing environments, playout servers and more, while recording continues.
Ki Protect
Ki Pro Ultra Plus includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.
While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace of mind on set and in the studio, essential for multi-channel recording.
HDMI 2.0: One Cable, Multiple Formats
Full HDMI 2.0 support on Ki Pro Ultra Plus offers deep color support all the way up to 4:4:4 12-bit RGB, perfect for rich color capture from affordable HDMI cameras and beautiful playback on the latest HDMI 2.0 displays.
A single cable can affordably transport both UltraHD or HD video and clean 24-bit 48 Hz 8-Channel audio to or from common HDMI 2.0 devices for a simple setup; perfect for independent producers, editors, ProAV, and anyone seeking to utilize the latest affordable capture and monitoring tools.
HDR
HDR or High Dynamic Range, provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. This gives your imagery a more ‘dynamic’ look and allows for natural true to life colors to be communicated to your audience.
Ki Pro Ultra Plus provides this support for your 4K/UltraHD/HD HDR pipelines to HDMI compatible displays, in free v2.0 firmware, by generating HDR metadata in accordance with HDMI v2.0a/CTA-861.3. Ki Pro Ultra Plus also provides support for Hybrid Log-Gamma (HLG) HDR displays over HDMI.
Explore more of our exciting HDR Solution here:
4K, 12-bit Full Raster Workflows for Professionals
Next generation 4K/UltraHD 50/60p recording and playback are attainable all the way up to Apple ProRes HQ when using AJA Pak Media with Ki Pro Ultra Plus.
4K/UltraHD is supported through 4x 3G-SDI, HDMI 2.0 or optional fiber inputs and outputs.
Ki Pro Ultra Plus not only supports true 4K at 4096 x 2160p for digital cinema and high quality UltraHD for broadcast production, it also offers the color depth to match.
Any shoot or project benefits from the fabulously rich colors and smooth gradations across the luminance and chroma range that 12-bit makes possible with full 4:4:4 support including Apple ProRes 4444 XQ up to 2K 50/60p.
VFX work benefits from Ki Pro Ultra Plus’ 12-bit support on 4x 3G-SDI input to captured Apple ProRes 444 files, resulting in clean green screen plates across the 4K/UltraHD/2K/HD raster landscape for easy and detailed postproduction manipulation. With full HDMI 2.0, you can monitor it all from 4:2:2 YCbCr to full 4:4:4 RGB in 12-bit.
ProRes®
422 and 444 Recording
Big on quality - but not on file size.
Ki Pro Ultra Plus records 4K/UltraHD/2K/HD to six quality levels of Apple ProRes® including Apple ProRes 4444 XQ with support up to 2K 50/60p. This lets you choose the balance of image fidelity and file size that’s right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems.
Next generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when using AJA Pak 1000, or AJA Pak 512 and Pak 256 SSD media.
By utilizing Apple ProRes, your project will have the best image quality available, with manageable and affordable
file sizes.
Avid DNxHR Recording
New Ki Pro Ultra v3.0 firmware allows users to record 4K and UltraHD rasters with Avid codecs within a native .MXF wrapper, supporting Avid editors and native .MXF workflows with more flexible options.
Ki Pro Ultra Plus v3.0 offers Avid DNxHR codecs in an .MXF wrapper for the following formats:
- DNxHR HQX
- DNxHR SQ
- DNxHR LB
- (4K) 4096 x 2160p 23.98, 24, 25, 29.97
- (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97
Avid DNxHD MXF Recording
Ki Pro Ultra Plus offers native Avid MXF support for HD workflows. Record and playback DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs.
This provides a native MXF workflow for Avid pipelines, free of transcoding.
- DNxHD HQX (220x)*
- DNxHD SQ (145)*
- DNxHD LB (36)**
- (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94
- (HD) 1080i 25, 29.97
- (HD) 1080PsF 23.98, 24, 25, 29.97
- (HD) 720p 50, 59.94
*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p
exFAT and HFS+ Support
Ki Pro Ultra Plus allows you to use the file system that suits your needs. Full flexibility is provided to format your recording media as either exFAT or HFS+ within Ki Pro Ultra Plus itself or from your desktop computer, ensuring wide OS compatibility. Pak media can also be ordered in either format for fast implementation upon arrival.
2SI (Two Sample Interleave)
Ki Pro Ultra Plus supports both Square Division Quad Split format and Two Sample Interleave giving a wide number of options to both record and playback 4K and UltraHD.
Set up is easy, with Ki Pro Ultra Plus sensing the format being delivered in its “Follow Input” mode. Ki Pro Ultra Plus also allows you to select separate quad modes for both in and out, giving an additional conversion feature for when you need it.
Up to 64-Channels of Audio
Ki Pro Ultra Plus offers up to 16-Channels of audio support embedded over SDI or Fiber per input, bringing a total of 64-Channels of high quality recording when in multi-channel mode. Flexible routing options mean that 8-Channel only outputs like HDMI, Analog and Digital carry options for selecting the 8-Channel group required. Monitoring via the headphone jack on the front of the unit is split into easy 2-Channel groupings by input for on-set checks.
Closed Captioning Support
If you need to record or playout video with Closed Captioning embedded, Ki Pro Ultra Plus is fully compatible with your needs.
Ki Pro Ultra Plus recognizes CEA-708 within incoming SDI Inputs and encodes the Closed Captioning to your Apple ProRes recorded file. Upon playback, you can utilize the Closed Captioning within a recorded file over Ki Pro Ultra Plus' 4 x 3G-SDI outputs.
Reliable Storage Media
Ki Pro Ultra Plus captures directly to rugged and reliable AJA Pak SSD media. Pak Media is available in a variety of capacities to best suit the demands of your production.
Pak 2000 and Pak 1000 are the perfect companions for Ki Pro Ultra Plus offering 2TB or 1TB of fast SSD media for up to 4K recording at 60p in ProRes HQ. Pak 512 and Pak 256 models offer equal performance in smaller capacities when needed.
The twin media drive bays on the Ki Pro Ultra Plus allow extremely fast media changes and rollover recording even for multi-channel recording, which allows a recording to start on one media module and seamlessly continue onto the second module once the first has reached capacity.
Pak Media may also be used with the optional Pak Dock which features USB 3.0 and Thunderbolt™ connectors for lightning fast data transfers from and to your desktop or laptop.
Pak-Adapt-eSATA
Pak-Adapt-eSATA (sold separately) is a Pak Media sized adapter with an eSATA connector that allows the user to attach a qualified RAID or single volume storage via an eSATA cable so that it may be used as a recordable drive. eSATA connectivity provides the bandwidth needed for 4K 422 HQ at up to 30 fps. You can even connect two Pak-Adapt-eSATAs to the Ki Pro Ultra Plus for more flexibility in the field.
NOTE - Multi-channel mode on Ki Pro Ultra Plus is not supported by Pak-Adapt-eSATA
High Resolution LCD with Onscreen Intuitive UI
Ki Pro Ultra Plus features a beautiful high resolution HD display for pristine monitoring of your material and serves as your interface to Ki Pro's familiar and intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the 4.8” 720p LCD display.
The large LCD provides detailed playback and monitoring perfect for onset use, the OB truck, helicopter or studio and it’s transparent menu overlays can be set at just the level the user prefers. Ki Pro Ultra Plus offers control over brightness of the display for flexible control to suit your working environment.
Familiar Controls
Anyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Ultra Plus.
Just like a traditional tape deck, Ki Pro Ultra Plus features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.
The current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.
The Ki Pro Ultra Plus operating system offers users a logical menu structure that is easy to navigate with menu parameters presented in clear and understandable language.
Professional Connectivity
The video and audio connections on the rear panel of the Ki Pro Ultra Plus offer next generation connectivity with 3G-SDI, Fiber and HDMI inputs and outputs, AES and analog XLR balanced audio, LTC, RS-422 and LAN.
4K and HD Monitoring
Ki Pro Ultra Plus provides full resolution outputs for 4K, UltraHD and HD over 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. An additional dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display.
Fiber Connectivity
Ki Pro Ultra Plus' fully integrated fiber inputs and outputs means Ki Pro Ultra Plus can be integrated directly to a dedicated fiber network alongside many other fiber products. Fiber allows outgoing and incoming video signals to be transmitted as far as 10 km away.
Optional Fiber SFP Modules supported :
Dual LC 3G Fiber Tx SFP AJA – Part # FIBERLC-2-TX
Dual LC 3G Fiber Rx SFP AJA – Part # FIBERLC-2-RX
CWDM Fiber Options
The optional fiber transmitters let you choose from multiple wavelength CWDM SFPs, allowing advanced multiplexing of signals over a single fiber connection.
Possible CWDM options:
| • Dual TX 1271/1291 | • Dual TX 1311/1331 |
| • Dual TX 1351/1371 | • Dual TX 1391/1411 |
| • Dual TX 1431/1451 | • Dual TX 1471/1491 |
| • Dual TX 1511/1531 | • Dual TX 1591/1611 |
| • Dual TX 1551/1571 |
RS-422 Control
RS-422 control allows Ki Pro Ultra Plus to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Ultra Plus.
Remote Configuration
and Operation
In a truck or a machine room, Ki Pro Ultra Plus is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Ultra Plus parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer. Multiple Ki Pro Ultra Plus units can even be controlled from a single web interface making Ki Pro Ultra Plus an ideal solution for multi-camera recordings.
Specs
Video Formats
- Single Channel Mode:
- (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97*
- (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*
- (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (HD) 1080i 25, 29.97, 30
- (HD) 1080PsF 23.98, 24, 25**, 29.97**
- (HD) 720p 50, 59.94, 60
- Multi-Channel Mode:
- (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
- (HD) 1080i 25, 29.97, 30
- (HD) 1080PsF 23.98, 24, 25**, 29.97**
- (HD) 720p 50, 59.94, 60
*Only 4x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division
**25 and 29.97 requires Record Type>PsF selection
Codec Support
- Single Channel Mode:
- Apple ProRes 4444 XQ, up to 2K/60 fps
- Apple ProRes 4444, up to 30 fps
- Apple ProRes 422 (HQ)
- Apple ProRes 422
- Apple ProRes 422 (LT)
- Apple ProRes 422 (Proxy)
- Avid DNxHD HQX (220x)*
- Avid DNxHD SQ (145)*
- Avid DNxHD LB (36)**
- Avid DNxHR HQX up to 4K/30 fps
- Avid DNxHR SQ up to 4K/30 fps
- Avid DNxHR LB up to 4K/30 fps
- Multi-Channel Mode:
- Apple ProRes 4444, up to 30 fps
- Apple ProRes 422 (HQ)
- Apple ProRes 422
- Apple ProRes 422 (LT)
- Apple ProRes 422 (Proxy)
*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p
Codec Container
- Apple ProRes .MOV
- AVID DNX MXF or .MOV
Removable Storage
- 2x slots, AJA SSD media Pak 256, Pak 512, Pak 1000, Pak 2000
- Pak-Adapt-eSATA*, Pak-Adapt-CFast*
*Only with AJA qualified media
Video Input Digital
- 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
- 4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit
- 4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*)
- Dual Link 4:2:2, 4:4:4 (2x BNC or Fiber LC*)
- Single Link 4:2:2, 4:4:4 (1x BNC or Fiber LC*)
- 1x HDMI standard type A connector
- HDMI v2.0
- 4:4:4 RGB 8/10/12-bit (deep color)
- 4:2:2 YCbCr 8/10/12-bit
- 4:2:0 YCbCr 8-bit
*Optional SFP Modules
Video Output Digital
- 4x 3G-SDI, SMPTE-292/296/424, 10-bit
- 4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit
- 4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*)
- Dual Link 4:2:2 or 4:4:4 (2x BNC or Fiber LC*)
- Single Link 4:2:2 or 4:4:4 (1x BNC or Fiber LC*)
- 1x HDMI standard type A connector
- HDMI v2.0
- 4:4:4 RGB 8/10/12-bit (deep color)
- 4:2:2 YCbCr 8/10/12-bit
- 4:2:0 YCbCr 8-bit
- HDR Infoframe generation as defined in CTA-861.3 and HDMI v2.0a
*Optional SFP Modules
Audio Input Digital
- 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, AES/EBU via (1/2x DB-25 TASCAM pinout)
Audio Input Analog
- 8-Channel, mappable, 24-bit A/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout)
- +24 dBu full scale digital
- +/- 0.2 dB 20 Hz to 20 kHz frequency response
Audio Output Digital
- 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
- 8-Channel, AES/EBU via (1/2x DB-25 TASCAM pinout)
Audio Output Analog
- Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control
- 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout)
- 2-Channel unbalanced 2 x RCA connectors
Recording Mode
- Multi-channel HD Apple ProRes recording (Pak 2000, Pak 1000, Pak 512 (R1), Pak 256 (R1) (R2))
- Single channel 4K/UltraHD/2K/HD recording
Playback Mode
- One channel of 4K/UltraHD/2K/HD at a time
Timecode
- SDI RP188/SMPTE 12M via SDI BNC
- LTC input (1x BNC)
- LTC output (1x BNC)
- Movable TC Super Out
Reference Input
- External, 2x BNC
- Looping, nonterminating
- Blackburst or tri-level sync
Network Interface
- 10/100/1000 Ethernet (RJ-45)
- Embedded web server for remote control via REST
- Video Confidence Monitor via Web Interface
- Clip upload/download via Web Interface in DATA-LAN mode
- Configuration and Transport Control via WEB Interface
Machine Control
- RS-422, 1x DE-9 female connector, Sony 9-pin protocol
- 9-pin D-connector pinout is as follows:
|
1 |
GND |
|
2 |
TX- |
|
3 |
RX+ |
|
4 |
GND |
|
5 |
No Connection |
|
6 |
GND |
|
7 |
TX+ |
|
8 |
RX- |
|
9 |
GND |
|
Shell |
GND |
User Interface
- Rotary selector knob
- Dedicated, backlit transport controls and menu buttons
- Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays
Closed Captioning Support
- CEA-708, CEA-608
File System Support
- HFS+, exFAT
Size (w x d x h)
- 8.64" x 9.34" x 3.31" (219.46 x 237.24 x 84.08 mm)
Weight
- 5.6 lbs (2.6 kg)
Power
- Dual, redundant, 5.4A max, 35W-60W typical-65W Max
- 100-240 VAC 50/60 Hz (adapter)
- 12-18Vdc 4-pin XLR (chassis)
Environment
- Safe Operating Temperature: 0 to 40 C (32 to 104 F)
- Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)
- Operating Relative Humidity: 10-90% noncondensing
- Operating Altitude: <3,000 meters (<10,000 feet)
