Atomos Shogun Studio
Atomos
Specs| Weight | |
|---|---|
| Weight | 5.0kg / 11lb |
| Rack height | 3Ru |
| Rack mounting | Removable rack ears |
| Dimensions (W x H x D mm) | 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears) 490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears) |
| Construction | Steel construction for durability |
| Cooling | Actively controlled fan with heat sinks |
| Power | |
|---|---|
| Operating power (including SSD) | 20 - 60W |
| Redundant PSU | Yes |
| Compatible batteries | No |
| Input voltage (battery) | - |
| DC Out | No |
| Continuous power * Patent pending |
- |
| Touchscreen | |
|---|---|
| Size | 7.1” |
| Resolution | 1920 x 1200 |
| PPI | 320 |
| Aspect ratio | 16:9 native |
| Color standard | Rec.709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube file format) |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit |
| Video analysis tools | Luma waveform, RGB parade, Vectorscope, Vectorscope zoom |
| Calibration | Calibration in factory to Rec.709, in eld calibration with optional X-Rite unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 8-bit |
| Brightness | 400nit |
| PQ in/out In = Post Out = Monitor |
Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (1.4b) per channel |
| SDI | 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (1.4b) per channel |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
| Raw to ProRes / DNxHR | Raw cameras supported (Sony FS5/FS7/FS700, Canon C300MKII, C500) Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30B 2K / 1080p; 24/SF24/25/SF25/30/SF30 |
| Video to ProRes / DNxHR |
Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 1080i; 50/60i 720p; 50/60p |
| Onboard Processing | |
|---|---|
| HDMI | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| SDI | Yes - Always on |
| Analogue audio | On HDMI/SDI loop out (Rec & Playout) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Analogue audio | 2 x XLR in & 2 x XLR out on rear per record channel. Mic or line level with phantom 48V |
| Processing | Gain control on line in & headphone output |
| Maximum audio quality | 24-bit, 48kHz |
| Audio delay | Delay setting +1 to 99 frames |
| Remote Control | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| RS422 | RS422 machine control |
| AMP | via Ethernet RJ45 10/100 |
| Serial | Calibration (front) |
| Timecode | |
|---|---|
| HDMI | Embedded timecode from camera or video device |
| SDI | Embedded timecode from camera or video device |
| LTC In | Yes (LTC loop back) |
| GenLock In | Yes (GenLock loop back) |
| Playback | |
|---|---|
| Playlist | Yes (run down or reverse order) for selected, favorite or all clips |
| Playback options | Loop in & out markets |
| Recording | |
|---|---|
| Dual channel | Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- dent dual channel record. |
| Continuous record | Single channel 4K / HD recording automatically switches between drive when at capacity |
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock). |
| Meta data tagging | Yes (10 tags available) |
| Recording Media | |
|---|---|
| Drive slots | 2 (1 per record channel) |
| Drive connection types | SATA |
| Supported media (Approved List at atomos.com/drives) |
4K / HD (50/60/120p*) SSD 2.5”, HDD (7,200 up to 1080p60) HD SSD 2.5”, HDD (5,400 up to 1080p30) |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ Media Composer 5.0+ Premiere 5.5+ EDIUS 6.0+ Vegas Pro 10+ Lightworks Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCP7 supported with conversion (Adobe compatible) |
| Accessories included | Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth |
| Optional extras | Master Caddy II x 5, X-Rite calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
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RECORD. PLAY. MONITOR. EDIT
All in a rack
Dual 7" SuperAtom IPS Calibrated monitors
Compact 3ru rack mount design
4K/HD SDI & HDMI inputs and ouputs with conversation
Stereo XLR in/out per channel with 48V phantom power
RECORDING FEATURES
Use each channel independently to record edit friendly 10-bit 4:2:2 ProRes/DNxHR or operate the dual channels together for more advanced recording functionality
CONTINUOUS RECORDING
Automatically switches channels when the disk is full without any down time in recording
MULTI CODEC
Flexible dual codec recording to capture a high bit rate master/lower bit rate proxy or ProRes/DNxHR versions of the same footage
MULTI RESOLUTION
Multi resolution option for capturing a 4K Master/HD deliverable or even dailies with burnt in LUTs
CONTROL FEATURES
Direct touchscreen access combined with advanced remote control functionality
TOUCHSCREEN WITH TRANSPORT CONTROLS
Operate each channel via the independent touch screens to adjust record, monitor, playback and edit functions.
LTC / GENLOCK
LTC input for multi cam scenarios during recording and Genlock available for play back
RS422 / AMP OVER ETHERNET
Independent RS422 machine control inputs for each channel and ethernet connection for control via AMP protocol
EXPOSURE & FOCUS PEAKING
The calibrated dual 7” monitors provide accurate REC.709 viewing of content as well as a host of tools for image analysis.
Wave Form Monitoring on both channels using Luma Parade, RGB parade & Vector Scope with Vector Zoom
Focus peaking in 3 modes along with 1:1 and 2:1 zoom to punch in for critical focus
MONITOR HDR WITH YOUR LOG CAMERA
Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. AtomHDR brings post production HDR monitoring to the field, displaying high brightness range Log footage with the brightness and vibrancy as the eye sees it on our SuperAtom IPS 8-bit 400nit calibrated monitor.
This provides a rack mount solution for HDR, letting you use your current HDR Log camera to future proof your production. We are proud to deliver a free update to HDR on the existing range. We can offer this because we are in complete control of every aspect of the product – panel, processing and display.
Specs
| Weight | |
|---|---|
| Weight | 5.0kg / 11lb |
| Rack height | 3Ru |
| Rack mounting | Removable rack ears |
| Dimensions (W x H x D mm) | 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears) 490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears) |
| Construction | Steel construction for durability |
| Cooling | Actively controlled fan with heat sinks |
| Power | |
|---|---|
| Operating power (including SSD) | 20 - 60W |
| Redundant PSU | Yes |
| Compatible batteries | No |
| Input voltage (battery) | - |
| DC Out | No |
| Continuous power * Patent pending |
- |
| Touchscreen | |
|---|---|
| Size | 7.1” |
| Resolution | 1920 x 1200 |
| PPI | 320 |
| Aspect ratio | 16:9 native |
| Color standard | Rec.709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube file format) |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit |
| Video analysis tools | Luma waveform, RGB parade, Vectorscope, Vectorscope zoom |
| Calibration | Calibration in factory to Rec.709, in eld calibration with optional X-Rite unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 8-bit |
| Brightness | 400nit |
| PQ in/out In = Post Out = Monitor |
Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (1.4b) per channel |
| SDI | 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (1.4b) per channel |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
| Raw to ProRes / DNxHR | Raw cameras supported (Sony FS5/FS7/FS700, Canon C300MKII, C500) Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30B 2K / 1080p; 24/SF24/25/SF25/30/SF30 |
| Video to ProRes / DNxHR |
Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 1080i; 50/60i 720p; 50/60p |
| Onboard Processing | |
|---|---|
| HDMI | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| SDI | Yes - Always on |
| Analogue audio | On HDMI/SDI loop out (Rec & Playout) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Analogue audio | 2 x XLR in & 2 x XLR out on rear per record channel. Mic or line level with phantom 48V |
| Processing | Gain control on line in & headphone output |
| Maximum audio quality | 24-bit, 48kHz |
| Audio delay | Delay setting +1 to 99 frames |
| Remote Control | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| RS422 | RS422 machine control |
| AMP | via Ethernet RJ45 10/100 |
| Serial | Calibration (front) |
| Timecode | |
|---|---|
| HDMI | Embedded timecode from camera or video device |
| SDI | Embedded timecode from camera or video device |
| LTC In | Yes (LTC loop back) |
| GenLock In | Yes (GenLock loop back) |
| Playback | |
|---|---|
| Playlist | Yes (run down or reverse order) for selected, favorite or all clips |
| Playback options | Loop in & out markets |
| Recording | |
|---|---|
| Dual channel | Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- dent dual channel record. |
| Continuous record | Single channel 4K / HD recording automatically switches between drive when at capacity |
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock). |
| Meta data tagging | Yes (10 tags available) |
| Recording Media | |
|---|---|
| Drive slots | 2 (1 per record channel) |
| Drive connection types | SATA |
| Supported media (Approved List at atomos.com/drives) |
4K / HD (50/60/120p*) SSD 2.5”, HDD (7,200 up to 1080p60) HD SSD 2.5”, HDD (5,400 up to 1080p30) |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ Media Composer 5.0+ Premiere 5.5+ EDIUS 6.0+ Vegas Pro 10+ Lightworks Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCP7 supported with conversion (Adobe compatible) |
| Accessories included | Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth |
| Optional extras | Master Caddy II x 5, X-Rite calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
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