Atomos Shogun Studio

MSRP: $2,495.00

Atomos

Specs

Weight
Weight 5.0kg / 11lb
Rack height 3Ru
Rack mounting Removable rack ears
Dimensions (W x H x D mm) 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)
Construction Steel construction for durability
Cooling Actively controlled fan with heat sinks
Power
Operating power (including SSD) 20 - 60W
Redundant PSU Yes
Compatible batteries No
Input voltage (battery) -
DC Out No
Continuous power
* Patent pending
-
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 320
Aspect ratio 16:9 native
Color standard Rec.709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom
Calibration Calibration in factory to Rec.709, in eld
calibration with optional X-Rite unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 8-bit
Brightness 400nit
PQ in/out
In = Post   Out = Monitor
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (1.4b) per channel
SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (1.4b) per channel
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Codecs & Frame Rates (Record & Playback)
Raw to ProRes / DNxHR Raw cameras supported (Sony FS5/FS7/FS700, Canon C300MKII, C500) 

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI / 4K UHD; 24/25/30B
2K / 1080p; 24/SF24/25/SF25/30/SF30
Video to ProRes / DNxHR Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Onboard Processing
HDMI 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
SDI Yes - Always on
Analogue audio On HDMI/SDI loop out (Rec & Playout)
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Analogue audio 2 x XLR in & 2 x XLR out on rear per record channel.
Mic or line level with phantom 48V
Processing Gain control on line in & headphone output
Maximum audio quality 24-bit, 48kHz
Audio delay Delay setting +1 to 99 frames
Remote Control
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
RS422 RS422 machine control
AMP via Ethernet RJ45 10/100
Serial Calibration (front)
Timecode
HDMI Embedded timecode from camera or video device
SDI Embedded timecode from camera or video device
LTC In Yes (LTC loop back)
GenLock In Yes (GenLock loop back)
Playback
Playlist Yes (run down or reverse order) for selected, favorite or all clips
Playback options Loop in & out markets
Recording
Dual channel Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- dent dual channel record.
Continuous record Single channel 4K / HD recording automatically switches between drive when at capacity
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock).
Meta data tagging Yes (10 tags available)
Recording Media
Drive slots 2 (1 per record channel)
Drive connection types SATA
Supported media 
(Approved List at atomos.com/drives)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ 
Media Composer 5.0+ 
Premiere 5.5+ 
EDIUS 6.0+ 
Vegas Pro 10+ 
Lightworks 
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories included Shogun Studio unit, 2x Rack ears with screws,
5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet,
2x IEC power cable, 1x Screen cleaning cloth
Optional extras Master Caddy II x 5, X-Rite calibration
Warranty 1 year. Extended to 3 years on product registration

All specifications correct when published, subject to E&OE.

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RECORD. PLAY. MONITOR. EDIT

All in a rack

Dual 7" SuperAtom IPS Calibrated monitors

Compact 3ru rack mount design

4K/HD SDI & HDMI inputs and ouputs with conversation

Stereo XLR in/out per channel with 48V phantom power

RECORDING FEATURES

Use each channel independently to record edit friendly 10-bit 4:2:2 ProRes/DNxHR or operate the dual channels together for more advanced recording functionality

Shogun Studio Continuous Recording

CONTINUOUS RECORDING

Automatically switches channels when the disk is full without any down time in recording

Multi-Codec

MULTI CODEC

Flexible dual codec recording to capture a high bit rate master/lower bit rate proxy or ProRes/DNxHR versions of the same footage

Multi-Resolution

MULTI RESOLUTION

Multi resolution option for capturing a 4K Master/HD deliverable or even dailies with burnt in LUTs

CONTROL FEATURES

Direct touchscreen access combined with advanced remote control functionality

Touchscreen

TOUCHSCREEN WITH TRANSPORT CONTROLS

Operate each channel via the independent touch screens to adjust record, monitor, playback and edit functions.

LTC

LTC / GENLOCK

LTC input for multi cam scenarios during recording and Genlock available for play back

RS422

RS422 / AMP OVER ETHERNET

Independent RS422 machine control inputs for each channel and ethernet connection for control via AMP protocol

EXPOSURE & FOCUS PEAKING

The calibrated dual 7” monitors provide accurate REC.709 viewing of content as well as a host of tools for image analysis.

Waveform

Wave Form Monitoring on both channels using Luma Parade, RGB parade & Vector Scope with Vector Zoom

Focus Peaking

Focus peaking in 3 modes along with 1:1 and 2:1 zoom to punch in for critical focus

Shogun Studio

MONITOR HDR WITH YOUR LOG CAMERA

Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. AtomHDR brings post production HDR monitoring to the field, displaying high brightness range Log footage with the brightness and vibrancy as the eye sees it on our SuperAtom IPS 8-bit 400nit calibrated monitor.

This provides a rack mount solution for HDR, letting you use your current HDR Log camera to future proof your production. We are proud to deliver a free update to HDR on the existing range. We can offer this because we are in complete control of every aspect of the product – panel, processing and display.

Specs

Weight
Weight 5.0kg / 11lb
Rack height 3Ru
Rack mounting Removable rack ears
Dimensions (W x H x D mm) 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)
Construction Steel construction for durability
Cooling Actively controlled fan with heat sinks
Power
Operating power (including SSD) 20 - 60W
Redundant PSU Yes
Compatible batteries No
Input voltage (battery) -
DC Out No
Continuous power
* Patent pending
-
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 320
Aspect ratio 16:9 native
Color standard Rec.709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom
Calibration Calibration in factory to Rec.709, in eld
calibration with optional X-Rite unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 8-bit
Brightness 400nit
PQ in/out
In = Post   Out = Monitor
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (1.4b) per channel
SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (1.4b) per channel
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Codecs & Frame Rates (Record & Playback)
Raw to ProRes / DNxHR Raw cameras supported (Sony FS5/FS7/FS700, Canon C300MKII, C500) 

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI / 4K UHD; 24/25/30B
2K / 1080p; 24/SF24/25/SF25/30/SF30
Video to ProRes / DNxHR Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Onboard Processing
HDMI 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
SDI Yes - Always on
Analogue audio On HDMI/SDI loop out (Rec & Playout)
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Analogue audio 2 x XLR in & 2 x XLR out on rear per record channel.
Mic or line level with phantom 48V
Processing Gain control on line in & headphone output
Maximum audio quality 24-bit, 48kHz
Audio delay Delay setting +1 to 99 frames
Remote Control
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
RS422 RS422 machine control
AMP via Ethernet RJ45 10/100
Serial Calibration (front)
Timecode
HDMI Embedded timecode from camera or video device
SDI Embedded timecode from camera or video device
LTC In Yes (LTC loop back)
GenLock In Yes (GenLock loop back)
Playback
Playlist Yes (run down or reverse order) for selected, favorite or all clips
Playback options Loop in & out markets
Recording
Dual channel Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- dent dual channel record.
Continuous record Single channel 4K / HD recording automatically switches between drive when at capacity
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock).
Meta data tagging Yes (10 tags available)
Recording Media
Drive slots 2 (1 per record channel)
Drive connection types SATA
Supported media 
(Approved List at atomos.com/drives)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ 
Media Composer 5.0+ 
Premiere 5.5+ 
EDIUS 6.0+ 
Vegas Pro 10+ 
Lightworks 
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories included Shogun Studio unit, 2x Rack ears with screws,
5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet,
2x IEC power cable, 1x Screen cleaning cloth
Optional extras Master Caddy II x 5, X-Rite calibration
Warranty 1 year. Extended to 3 years on product registration

All specifications correct when published, subject to E&OE.

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